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Jan 2016: 1999 Rene Engel Clos Vougeot, 2001 Penfolds RWT, 2004 Rockford Basket Press

January 31, 2016

1997 Ch La Croix de Labrie, popped and poured at Glen after hours on 04 Jan 2016. This wine has a pleasant bouquet of dark roses with notes of raspberries and dark berries on the palate, somewhat dry with a character of wood dust and earth, slightly austere towards the finish, a reflection of the unflattering vintage.

2012 Joseph Faiveley Bourgogne, popped and poured over a simple dinner at home, 06 Jan 2016. Lovely aromas of peaches, melons and a dash of apricot, fairly ample on the palate where buttery notes and some chalky characters dominate but do not overwhelm, quite open, slightly racy towards the finish. Quite attractive.

2001 Penfolds RWT, decanted on-site at Imperial Treasure T3, 08 Jan 2016. You could say this is a cousin of Grange, a 100% shiraz aged in French oak. Deep dark impenetrable red, dominated by powerful medicinal overtones on the bouquet, almost hedonistic on the palate where it is rich, concentrated and smooth, saturated with notes of licorice, camphor, raisins and savoury characters, gaining some transparency in the mid-body only after 90 minutes. I’d prefer some suppleness and layering but this wine doesn’t look like it is developing in that direction. BTW, Imperial Treasure now charges SGD30++ for corkage, making it far less compelling for casual dining.

2016-01-11 19.21.041999 Domaine Rene Engel Clos-Vougeot Grand Cru, popped and poured at Otto Ristorante, 11 Jan 2016, to celebrate Monster’s wonderful success. I last tasted this wine back in 2009 where it was still intense and primal. Now defunct since the tragic demise of Philippe (grandson of Rene Engel) in 2005, the Clos Vougeot Grand Cru is the flagship of this domaine in Vosne-Romanee. The 1999 appears to have mellowed considerably with aromas of roses, bright cherries and camphor, much more gentle and open on the palate where raspberries are well-integrated with saline minerals and earthy characters, smooth, rounded and ample in body, slightly feminine, although it seemed to lack structure and opulence until the final pour almost two hours later where some hint of layering and excitement in the tannins came into the picture. Drinking well now and probably at its best, but needs time in the glass to unfurl its full potential. Back vintages of Rene Engel appears to be enjoying a mini-Renaissance of sorts nowadays with the 1999 Clos Vougeot Grand Cru retailing for almost SGD400.

2000 Robert Mondavi cabernet sauvignon, decanted on-site at a celebratory dinner hosted by Joan and Eberta at Gattopardo, 20 Jan 2016. Poured from magnum. This bottle was much better than a previous one tasted last year. Displaying a deep crimson with some evolution at the rim, this wine offers notes of red plums, ripe wild berries and blueberries, open, soft and ample with recessed tannins though a trace of hardness is discernible on the back palate with a hint of vanilla. Almost Old World in style. A bargain at SGD70 for a magnum.

Franciacorta ’61, a sparkling wine from Lombardia bought off the list of Gattopardo, 20 Jan 2016. Vibrant with a forward balance of zesty citrus and lime with a hint of toasty oak and smoke, generous in fruit to match the dryness on the palate. Serviceable.

2008 Leeuwin Art Series chardonnay, a bottle presented to me by Dr Wang KW several years ago, now shared with him at Imperial Treasure Super Duck on 27 Jan 2016. Popped and poured. This wine got off to a tentative start, appropriately creamy with an oily texture, minerally from the start and imbued with clear citrus and white flowers. However, it was rather lean and stern on the palate, taking time to gain some weight and sweetness, eventually ending in a crisp biting finish.

2004 Rockford Basket Press, popped and poured at Beng Thin, 30 Jan 2016. As expected, this Barossa shiraz is saturated with ripe blackberries and redcurrants that produced a powerful whiff of medicinal characters on the nose, dominated by licorice and warm spicy peppery notes on the palate, rich and highly concentrated with controlled tannins, opening up substantially after some time to reveal a savoury dimension, becoming smoother as well although it remained full-bodied and muscular. Strictly for aficionados of Aussie reds.

1947 Chateau La Mission Haut Brion

January 28, 2016

Probably a once-in-a-lifetime tasting experience (at least for an amateur oenophile like myself) came my way unexpectedly during dinner on 26 January 2016 at Chef Kang’s when a magnum bottling of 1947 Ch La Mission Haut Brion was proffered by a newly-acquainted wine collector just recently introduced to us. There was no prior announcement nor any leak down the grapevine amongst our inner circle that this would be happening. My limited experience with old Bordeaux only went as far back as a 1964 Ch Cheval Blanc and the very thought of a 1947 was absolutely mind-blowing. The bottle certainly looked the part, with its label stained and capsule worn although the ullage was surprisingly good, up to upper shoulder. The owner of this bottle had purchased it from Les Amis some time ago for a small fortune, enough to buy a brand new car in UK or Australia. Nobody dared to pop the cork for such a precious bottle, but Dr Ngoi rose to the occasion, gingerly inserting a pair of blades into the rim of the cork and gently coaxing it out of the bottle. Any possibility of finding a 1947 Bordeaux on the open market must be approached with caution, in case the likes of Rodenstock or Kurniawan have managed to conjure up something. To our relief, the cork held together very well, certainly appearing to be rather soft but genuine-looking.

We poured the wine, which was an opaque murky brown, without decanting for we didn’t know whether it would survive too much aeration. However, we probably needn’t have worried. How does a 1947 claret taste like 69 years after its vintage? The wine was highly perfumed on the nose with notes of sweet incense, smoke and characters of dried plums. On the palate, it displayed the distilled essence of glorious berries past that still retained very good levels of concentration and fine acidity, not at all hollow nor medicinal nor burly, but smooth, rounded and gentle, linear all the way to its extended finish where an afternote of ash still lingered. I wouldn’t pretend that this is still a great wine at this stage (the 1990 Ch Montrose that preceded immediately would fit that definition). Rather, the 1947 La Mission Haut Brion is now absolutely unique and, to our surprise, it stayed that way till the end of dinner without fading off. What a great privilege this has been for me. Thank you very much Sir K….You have been most generous.

 

1990 Cos D’Estournel, 1990 La Conseillante, 1986 Haut-Brion, 1982 Leoville-Las-Cases…

January 18, 2016

Wining and dining in 2016 took off with quite a bang on 12 Jan 2016 where we had the honour and privilege of wishing Dr Ngoi many happy returns at Chef Kang’s. No specific wine theme was set apart from a common understanding that it would be Old World and that the wines would be blinded. Li Fern took great pains to ensure that we would be sampling Chef Kang’s signature creations while Kheng Yu (a.k.a. SKY) went the extra mile to procure crab beehoon and meepok from Sin Huat.

We began the evening with a 2006 Louis Roederer Cristal (unblinded, courtesy of Miah Hiang) that offered lifted aromas of clear zesty citrus, generous in body but rather dry, high-toned and steely on the palate along with characters of smoke and a subtle trace of yeast. This was followed by a magnum bottling of 2011 Domaine Leflaive Batard-Bienvenue-Montrachet Grand Cru (unblinded, courtesy of Vic) that opened with notes of melons, peaches and a dash of tropical fruits with a suggestion of great depth on the nose that was met on the palate, vibrant and lively with fine acidity. We drank half of it and revisited the other half at the end of dinner, where it had become far more relaxed and open, blossoming with subtle buttery characters and crème de la crème.

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The reds got off to an ignominious start with an old bottle of 1986 Domaine Henri Rebourseau Chambertin Clos de Beze Grand Cru (blinded, courtesy of Miah Hiang) that was dark murky brown, producing considerable bottle stink though it was definitely not corked, almost resembling port in character, replete with medicinal overtones. On the palate, the fruit had clearly receded significantly, leaving a shell of prunes and astringent tangerine, awkward and disjointed. Clearly, no one could tell what sort of burgundy it was. We also quickly dispensed with a 2009 Croix de Beaucaillou (unblinded, courtesy of Gleneagles management). Poured from magnum, this wine was dominated by a funky pungency on the nose, marked by a forward balance of plums, dark currants and soy, medium-full, the vanilla note imparting a glossy sheen without any semblance of its Saint Julien origin.

The 1990 Ch Cos D’Estournel (unblinded, courtesy of SKY) displayed distilled aromas of ripe dark berries, distinctly medium-bodied and completely open on the palate, dry with tertiary characters of dried mushrooms and some cedary notes, lacking the concentration and opulence of the best clarets of 1990 and in danger of thinning out. It seemed to be just hanging on and unlikely to improve. On the other hand, this bottle may not be representative and so I’ll reserve judgement.

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Then came an interesting turn of events. Two blinded Bordeaux bottles were tasted side-by-side. Both were deep dark purple, almost black, proffering notes of ash and intense black fruits marked by plummy notes, soy, wonderful ripeness and excellent depth, seemingly youthful and yet to develop further layering. Of the two, one was just slightly lighter in texture while the other was slightly fuller with a bit of biting intensity. Both exhibited velvety supply tannins that hinted at substantial proportions of merlot. There were wild guesses around the table but when the wraps came off, both turned out to be the 1990 Ch La Conseillante (courtesy of LF and Sanjay)!! It is extremely rare in a blinded line-up to feature two identical wines, especially when no theme has been specified. This little surprise also goes to show the extent of bias that open labels conjure up in drinkers’ minds.

The final pair of reds proved to be outstanding. The 1986 Ch Haut-Brion, tasted blind, still displayed an abundance of glorious black fruits and dark currants with a dash of spice, replete with a tinge of tangerines (as always with Haut-Brion), earth and soy, proving to be a wine of great concentration, depth and complexity, brimming with supple intensity. I would say it has yet to peak, given how youthful it still is on the palate but, alas, that was my final bottle. Next to this, the 1982 Ch Leoville-Las-Cases (blinded, courtesy of Hsiang Sui), still possessed great balance and concentration of black fruits and dark berries, complex with tertiary characters of old leather, cedar and cinnamon, highly structured and “correct”, soft at the edges with a touch of austerity, seemingly aloof and somewhat stern.

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A couple of half-bottles of dessert wine, blinded, rounded off the evening of excesses. Both displayed an Old World complex of apricot, nectarine, peaches and melons with restrained acidity, still fresh, one lighter while the other considerably heavier in texture. The whole table was unanimous in deciding that both were Ch D’Yquem and was spot-on as well in pin-pointing the vintages: 1990 (more transparent in texture, courtesy of Hsiang Sui) and 1996 (slightly heavier, courtesy of Sanjay). My sincere thanks to everyone for their generous contributions.

Jean-Michel Guillon

January 12, 2016

These are notes from a dinner hosted by Fatty and Robin Soh at Chef Kang’s on 04 Dec 2015, featuring the wines of Domaine Jean-Michel Guillon which is based in Gevrey-Chambertin, with Jean-Michel himself having been apprentice to George Roumier at one time. This trait showed up across the entire line-up, wines that are very well-crafted but which tend to exhibit a certain house style subconsciously. The wines are listed following the tasting order.

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2013 Jean-Michel Guillon Marsannay Blanc Les Champ Perdrix. Notes of morning dew, pears, ripe zesty citrus and the aromas of white flowers, featuring fine acidity with overtones of crème coming on later. Most refreshing.

2013 Jean-Michel Guillon Marsannay Clos des Portes monopole. Dark berries, soy and red fruits, displaying good intensity, structure and concentration on the palate with a spicy trace, gelling together very well. A sturdy wine.

2013 Jean-Michel Guillon Gevrey-Chambertin Les Crais. A village wine, somewhat muted on the nose although there is a good concentration of roses and bright red fruits on the palate, brimming with fair intensity, not quite as structured for a Gevrey-Chambertin, slightly dour at the finish.

2013 Jean-Michel Guillon Chambolle-Musigny. Lovely bouquet, featuring a complex of raspberries and strawberries of excellent depth and length on the palate, coupled with an attractive sweetness.  Harmonious and structured. Excellent.

2013 Jean-Michel Guillon Gevrey-Chambertin Les Champonnets 1er. Discernibly a notch up from the Les Crais, proving to be robust, masculine and structured, featuring excellent ripeness that is rich and fairly luxuriant.

2013 Jean-Michel Guillon Gevrey-Chambertin La Perriere 1er. Plummy with fair intensity and linearity, oozing with sweet tannins. Harmonious but lacking in complexity and structure.

2013 Jean-Michel Guillon Clos de Vougeot Grand Cru. Seemingly complex on the nose, marked by plums, redcurrants and earth but lacking complexity, which seems to be the case for a lot of wine produced from this second-division grand cru.

2013 Jean-Michel Guillon Mazis-Chambertin Grand Cru. The evening ended well with this wine ticking all the right boxes. Plummy and bright with attractive tangerine within a glossy sheen, possessing power and elegance in equal measure. Harmonious, layered and structured. Solidly crafted.

Dec 2015: 2006 Fleury Cepages, 2011 Alion, 2011 La Colombina Rosso di Montalcino, 2012 La Grave-a-Pomerol…

January 1, 2016

2012 Claude Dugat Bourgogne rouge, popped and poured with FICOFI’s Chee Wei at Glen, 03 Dec 2015. We couldn’t help finishing the entire bottle in 30 minutes, for the wine was imbued with lovely aromas of fresh pink and red roses, its fragrance complementing the predominant red cherries, raspberries and saline minerals on the palate that held a certain richness and concentration above most regional Bourgogne with tannins that are sweet, rounded and smooth.

2007 Saintsbury Carneros pinot noir (courtesy of Li Fern), popped and poured after hours at S S ENT, 04 Dec 2015. Considerably darker in tone for a pinot with an earthy bouquet complemented by dark roses, bramble, briar and cedar, medium-bodied, somewhat unresolved on the mid-palate with a metallic finish.

2006 Domaine Ponsot Nuits-Saint-Georges Cuvee des Alouttes 1er (courtesy of Vic), popped and poured after hours at S S ENT, 04 Dec 2015. Having had the 2011 recently, I had high hopes for this wine, opening with notes of earth, nutmeg and sunflowers, medium-bodied, warm and fleshy with fair intensity but missing in layering and sophistication, ending with a vegetal trace. Somewhat disjointed and certainly a disappointment.

2011 Domaine des Heritiers du Comte Lafon Macon-Uchizy Les Maranches at Vinum’s 20th Anniversary tasting, 08 Dec 2015. Grassy elements, minerally, good presence with generous proportions, as always from this producer, brimming with quiet intensity. Good.

2011 Jean Marie Fourrier Chambolle-Musigny Aux Exchanges 1er Vieilles Vignes, at Vinum’s 20th Anniversary tasting, 08 Dec 2015. Floral fragrance of red roses and red cherries, gentle on the palate with understated saline minerality, a tad short at the finish. Good.

2013 Jean Marie Fourrier Vosne-Romanee Aux Reas Vieilles Vignes, at Vinum’s 20th Anniversary tasting, 08 Dec 2015. Dominated by a funky pungency, dry and backward on the palate. Where’s the fruit?

2013 Jean Jacques Confuron Nuits-Saint-Georges Les Fleurieres at Vinum’s 20th Anniversary tasting, 08 Dec 2015. Red fruits with traces of dark cherries, harmonious but lean, with a firm attack on the palate. Not quite balanced.

2012 Follin-Arbelet Corton-Charlemagne Grand Cru at Vinum’s 20th Anniversary tasting, 08 Dec 2015. Notes of recessed citrus, sweet incense, morning dew and yellow melons. Medium-bodied with a trace of steeliness at the edges. Gentle finish, but lacking intensity and richness.

2012 Follin Arbelet Aloxe-Corton Les Vercots 1er at Vinum’s 20th Anniversary tasting, 08 Dec 2015. An abundance of dark red fruits veiled by vegetal notes and forest floor. Disjointed and unconvincing.

2012 Follin Arbelet Pernand-Verglesses Les Bichots 1er at Vinum’s 20th Anniversary tasting, 08 Dec 2015. Promising nose of red fruits and strawberries, radiant with attractive aromatics. Medium-bodied, dominated by saline minerality equally matched by plummy fruit to the fore. Just a tad short.

2005 William Fevre Bougrots les Bougerots Grand Cru (courtesy of WCY) at Jade Palace, 08 Dec 2015. Full-bodied with an abundance of crème and buttery notes supported by chalky minerality, supple with good intensity, turning slightly austere towards the finish. Needs more time.

2006 Ch Carbonnieux rouge (courtesy of F) at Jade Palace, 08 Dec 2015. Deep garnet red with nuances of mocha, dark currants and a graphite tone, excellent in concentration but becoming lean after some time. Still primal.

1996 Ch Pape Clement (courtesy of Hiok) at Jade Palace, 08 Dec 2015. Open and relaxed, full of secondary nuances amidst raspberries and redcurrants with a hint of dried mushrooms in its texture. Somewhat too predictable.

1990 Ch Leoville Poyferre (courtesy of John) at Jade Palace, 08 Dec 2015. Substantial bottle stink here, almost bordering on being corked, obscuring underlying notes of soy, peaches, plums and cedar. A pity.

2011 La Colombina Rosso di Montalcino, two identical bottles decanted on-site at Marini’s on 57, Malaysia’s highest rooftop bar and restaurant at the peak of Menara Petronas, Kuala Lumpur, 11 Dec 2015. Beautiful clear red with aromas of smoke, sweet incense, red plums and tangerine. Soft, rounded and open, medium-bodied, very good concentration and layered, yet gentle with lithe tannins, finishing with good length. Priced below MYR300 from the restaurant list, which means it ought to be even cheaper from retail. Excellent value.

2006 Fleury Cepages Blancs (courtesy of Dr Wang), popped and poured at the newly relocated Otto Ristorante (Maxwell Chambers, just a stone’s throw from its previous location at Red Dot Building), 15 Dec 2015. Known amongst insiders as a grower’s champagne and farmed biodynamically, this wine features accentuated notes of lime, fresh citrus and yeasty overtones, lightly oaked on the palate where it was open with further notes of pomelo, displaying excellent balance, intensity and depth of fruit, slightly minty at the finish. Excellent.

2012 Ch La Grave-a-Pomerol Trigant de Boisset, popped and poured from magnum after airing for 45 minutes and drunk over the next 4 hours at Otto Ristorante, 15 Dec 2015. Bright purplish, this wine opened with an attractive earthy pungency amidst dominant red fruits and cherries, surprisingly soft and highly accessible for such a youthful wine bottled in large format, medium-bodied, still shrouded with overtones of enamel from new oak but open with emerging plums of good intensity, oozing with sweet tannins. An excellent buy at SGD90 from the recent Caveau sale.

2012 Rivers Marie Sonoma Coast Silver Eagle vineyard (courtesy of Li Fern), popped and poured at Glen after hours, 16 Dec 2015. Powerful aromas of plums, cherries and olives with added notes of camphor on the palate, medium-bodied, well-balanced and linear, ticking all the right boxes for pinot noir though missing in layering and real complexity.

2005 Lan Rioja Gran Reserva (courtesy Li Fern), popped and poured at Glen after hours, 16 Dec 2015. Highly promising on the nose where sweet incense and dark currants dominate, slightly pruny with early nuances of cedar, surprisingly lean and distinctly medium-bodied with traces of vanilla amidst its dry finish.

1996 Maison Roche de Bellene Chambolle-Musigny 1er Derriere La Grange (courtesy of CJ), popped and poured at Glen after hours, 16 Dec 2015. Open and well-evolved with significant sweetness swelling from the quality fruit, imbued with other characters of roasted nuts and sandalwood, medium-full with good intensity and bright saline. Unlikely to improve further.

2004 Ch Leoville-Poyferre (courtesy of Hsiang Sui), popped and poured at Glen after hours, 16 Dec 2015. A reliable workhorse that is maturing faster compared with more outstanding vintages, now displaying notes of cedar, fig and sweet pines with graphite undertones, medium-bodied but vibrant and fleshy.

2010 Wolf Blass Grey Label, popped and poured at Ben’s BBQ, 18 Dec 2015. A 50-50 blend of cabernet sauvignon and shiraz, this Barossa red is bold and big, dominated by medicinal overtones, huge doses of licorice and savoury characters of cooked meat and dark plums with marked tannins on the mid-palate.

Louis Roederer Premier Brut NV, popped and poured over dimsum at Imperial Treasure T3, 20 Dec 2015. Forward notes of lime and citrus zest, excellent in concentration and depth to match the dryness on the palate, buzzing with great intensity, supported by flinty minerality, balanced and attractive.

2009 Le Carillon de L’Angelus, popped and poured at Bedrock Bar & Grill, 21 Dec 2015. Forward balance of fruit with notes of raisins, prunes and early nuances of cedar with an attractive spine of intense red fruits and currants that is still quite unresolved on the mid-palate, soft, fairly rounded and slightly lean towards the finish. Not really distinctive but will not offend any palate.

2011 Alion, popped and poured from the restaurant list of La Taperia, 22 Dec 2015. Surprisingly accessible, medium-bodied and rounded with good concentration of red fruits and raspberries of reasonable depth and fragrance without any jarring edges, finishing with recessed tannins and understated minerality. Quite lovely.

2004 Ch Latour-a-Pomerol, decanted on-site at Otto Ristorante (still maintaining the same prices in spite of its upmarket makeover at its new premises at Maxwell Chambers), 30 Dec 2015. This staple wine of mine has softened considerably, its fruit of raspberries and blueberries having gained some secondary nuances of cedar, sandalwood and briar with recessed sweet tannins. Very fine.

Billecart-Salmon Brut Rose NV, popped and poured after hours at S S ENT on New Year’s Eve, 31 Dec 2015. Highly attractive with forward notes of plums and peaches with overtones of toast and yeast to match the dryness on the palate, rounded and generous in body with a smooth finish, ending the year on a high.

 

 

FICOFI: Château de Meursault & Château de Marsannay

December 27, 2015

These notes come from a traditional Burgundy “La Paulée-style” dinner organised by FICOFI at the East India Room of the Raffles Hotel, Singapore, on 18 November 2015. Originally created in 1923 for winemakers and their workers in Burgundy to celebrate the end of the grape harvest at Château de Meursault, the La Paulée is a dinner where everyone brings their own bottles to share around the table, very much in the BYO spirit strongly espoused by yours truly. For this event, preceding the dinner was a Promenade featuring the top premier cru and grand cru of Château de Meursault and Château de Marsannay with their respective owners in attendance, M. Olivier Halley and M. Stephane Follin-Arbelet (photo below, whose brother directs the well-known domaine bearing the same family name).

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Château de Meursault is a richly-endowed estate with 60 hectares of vines situated around the Côte de Beaune that can be traced back to the 11th century, while Château de Marsannay is situated within the Côte de Nuits, encompassing plots from Fixin to Vosne-Romanée. Hence, in a way, the offerings from these two estates cover the entire Côte d’Or. Lest you may think that the wines from these seemingly less familiar estates are second-rate, don’t let the names fool you, for the wines I tasted were nothing less than excellent and may represent real value for money. In the true spirit of FICOFI, the wines come first, evident by the abundant free-flow while dinner itself was just a simple 3-course affair.

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2013 Château de Meursault Les Charmes-Dessus. Minerally with generous aromas of white flowers, excellent richness and intensity with a lengthy finish. Very lovely.

2013 Château de Meursault Clos Epeneaux Pommard 1er. Lovely deep ruby with an abundance of rose petals, red and dark cherries of great purity. Surprisingly gentle on the palate, well-structured and not at all overwhelming. Excellent.

2013 Château de Marsannay Ruchottes-Chambertin Grand Cru. Wonderfully perfumed with the generous fragrance of  camphor and fresh roses, well-integrated on the palate where the minerality is seamless, displaying excellent balance and length. Quite superb.

2008 Château de Marsannay Chambertin Grand Cru. Notes of sweet incense, camphor and dark roses. Layered with understated minerality. Open and rounded with a soft finish. Perhaps not quite as profound as a top-tier Chambertin but this is a beautiful wine.

2013 Château de Marsannay Chambertin Grand Cru. Showing some restraint on the nose although there is an abundance of bright roses and cherries on the palate, rounded and soft, beautifully balanced. Could do with a more robust structure but the acidity is excellent.

2013 Château de Meursault Corton-Vergennes Grand Cru. Generous in white flowers, icing and crème, supported by great minerality and depth with further notes of nutmeg, though short at the finish. One wouldn’t have realised that the wine came from young vines planted only in 2007. Quite excellent.

20151118_2037072011 Hautes-Côtes de Nuits Bourgogne. You really need to scrutinise the small print on the label to realise that this wine is specially bottled for FICOFI by Domaine de la Romanée-Conti. D.R.C. makes only three whites: a Montrachet Grand Cru, a Bâtard-Montrachet Grand Cru that’s only available for tasting within its cellars (yours truly was privileged enough to have had that experience…see Sept 2015) and this one which, of course, is not available on the open market. In spite of its Bourgogne classification, this white possesses great acidity, balance and depth, minerally yet restraint with excellent depth of fruit amidst some early complexity. Superb potential here. What a privilege!

1967 Remoissenet Pere et Fils Vosne-Romanée (courtesy of Dr Liang Te Shan). Still displaying great color with powerful medicinal aromas, almost port-like, yet open and soft with salty earthy notes and decent fruit quality, slightly short at the finish.

2009 Château de Meursault Volnay Clos des Chenes 1er. Sexy and feminine, displaying great harmony between superb notes of ripe strawberries, dark cherries and subtle minerality with excellent linearity and lithe supple tannins, not quite as structured and a tad short.

2012 Château de Marsannay Ruchottes-Chambertin Grand Cru. Great color with powerful aromas of dark red fruits of excellent depth, stern and tight at the finish. Still primal.

1999 Rapet Pere et Fils Corton Grand Cru. Deep in color with ripe fruit of brilliant intensity, only beginning to exhibit early secondary development at this stage with other notes of cedar. Great stuff.

2012 Claude Dugat Bourgogne. Forward balance of ripe red fruits and cherries supported by subtle minerality, a tad short.

2005 Faiveley Mazis-Chambertin Grand Cru. Dominant bouquet of menthol, surprisingly still tight and stern on the palate, underscored by intense graphite characters, gradually opening up after some time, superbly balanced. Excellent.

1990 Domaine Anne Gros. It’s a pity I failed to record which wine this was but it was beautifully open, medium-full with lovely depth of red fruits and dark berries, displaying great harmony and complexity.

1996 Domaine du Clos des Tart Clos des Tart Grand Cru (courtesy of Philippe). Some folks are wary of 1996 red burgundy, but there is absolutely nothing wrong here, this Morey-Saint-Denis stalwart showing plenty of bright red  cherries, plums and orange peel characters, excellent in intensity and complexity with a broad finish. Excellent.

2009 Joseph Drouhin Clos des Mouches 1er (courtesy of Peter Tan), displaying notes of white flowers in full bloom with a hint of nectarine, crème de la crème and chalky minerality, caressing the palate with sweet intensity. Lovely.

2011 Bouchard Pere et Fils Corton-Charlemagne Grand Cru, poured from magnum. Unmistakable grassy elements with attractive notes of white flowers, gentle on the palate with subtle density though not quite as full as a Bonneau du Martray.

Blinded: Ch Montrose 1995, Latour 2004, Leoville-Las-Cases 1985, 1986, 1995

December 15, 2015

Blind tasting is always a humbling experience but also one of the most effective ways to appreciate the character of a particular wine and its expression of terroir without the bias of open labels. A small dinner between myself, Hiok, Chee Wee and Philippe of FICOFI was organised on 07 Dec 2015 at Gattopardo where it turned out that we had the entire upper floor dining room to ourselves. The theme was Left Bank blind tasting without any further specification. All wines were decanted on-site and served in two flights to go along with some delectable antipasto and Irish ribeye which was the restaurant’s special for the evening, rounding off with a cheese platter.

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The first wine (courtesy of Hiok) had a peculiar medicinal note on the nose that became truly dominant throughout the evening, becoming almost port-like. Hiok was worried that the bottle may be corked but there was actually none of the dank staleness. On the palate, the wine was only medium-bodied, lacking the fullness promised on the nose, with notes of enamel, cedar and dense wild flowers with characteristic dryness, missing in voluptuousness and seemingly short at the finish. I deduced a Saint-Julien, which Philippe concurred, simply through the process of elimination although the overwhelming bouquet really obscured just about everything. When the wine was revealed to be 1995 Ch Leoville Las-Cases, I was surprised that it was so different from my previous impression of this wine nine years ago, which I recalled to be a tannic monster. Was it a flawed bottle? Will reserve judgement.

Tasted simultaneously, the second wine was a classic claret straight out of the box, dark with aromas of black fruits and a nose of snuff, cigar box and dark currants, open with an attractive dry quality on the palate, sappy and structured, displaying excellent linearity and concentration throughout its length, finishing with great persistence. As the evening wore on, it seemed to undergo some sort of reduction, becoming leaner in the mid-body and sharper at the finish. Philippe was ready to commit that this was a Pauillac, and I must say I would have concurred if I hadn’t brought this wine, with everyone agreeing that it was a mid-90s vintage. It was a 1995 Ch Montrose, not far from the soils of Pauillac, without much of the character of clay soils although, on hindsight, a Pauillac would have been even drier.

Within the same flight, the third wine displayed a deep garnet red with just a trace of vermillon at the rim, producing fragrant aromas of ripe dark fruits and blackcurrants, carrying excellent concentration and richness on the palate with supple velvety tannins that seemed to lack structure, fleshy yet soft, superbly integrated with just a vegetal or graphite trace at the finish. I thought this may be a Pichon Lalande with its higher balance of merlot and petit verdot, but it turned out to be the glorious 1986 Ch Leoville Las-Cases (courtesy of Chee Wee), a wine that I’ve always loved and treasured and, on this occasion, yet to truly hit its peak.

The second flight consisted of two wines contributed by Philippe that were sourced directly from the respective chateau. The first showed an impenetrable dark purple with fragrant aromas and notes of ripe dark fruits, currants and blueberries along with early secondary nuances and notes of cedar and graphite, soft and rounded, possessing richness, balance, sophistication, grandeur and structure with a certain aloofness. I thought it may be a 1999 Palmer, given its arresting fragrance and elegance. We were all floored when the wraps were removed: a 2004 Ch Latour. Outstanding!

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The second red was evidently an aged claret, displaying a certain evolution in color, dry with smoky characters, open on the palate with more red fruits in its balance, ripe but slightly austere, not in any danger of drying out, still fresh with a certain beguiling gentleness. We guessed a Pauillac, perhaps even a Lafite given the balance and mildly feminine character. A 1985 Ch Leoville Las-Cases it was, and what a beauty. As I have said, blind tasting is always humbling and this evening’s experience was no exception. But that’s I way to go, I feel. My thanks to everyone for their generosity.

Nov 2015: 2001 D’Yquem, 2006 D’Yquem Y, 2008 Mount Mary Quintet, 1989 Palmer, 2001 Etude Pinot Noir, 2012 Saint-Cosme Les Deux Albion, 2000 Pontet Canet, 2009 Bonneau du Martray Corton-Charlemagne, 2006 Sylvie Esmonin Clos St Jacques, 2008 JF Mugnier NSG Clos de la Marechale…

November 30, 2015

Laurent-Perrier Cuvee Rose, popped and poured at Tunglok Signatures, Orchard Parade Hotel, Singapore, 31 Oct 2015. Notes of toast, white smoke, grapefruit, traces of plum, apples and apricot, glowing with good concentration on the palate, good balance, not too crisp, ending in a dry metallic finish.

Henri Giraud Fut De Chene Ay MV (courtesy of KG), popped and poured at Tunglok Signatures, Orchard Parade Hotel, Singapore, 31 Oct 2015. This champagne displayed a high-toned bright minerality, generous in citrus zest and sweet yeasty overtones, appropriately crisp, coming together very well with lovely intensity and significant complexity. Excellent.

2008 G Prieur Echezeaux Grand Cru (courtesy of Peter Tan), from a magnum aired in bottle for almost an hour at Tunglok Signatures, Orchard Parade Hotel, Singapore, 31 Oct 2015. This wine is restrained with aromas of strawberries and red fruits, open on the palate, characterised by bright red fruits, good intensity and classic balance with a salty minerality without being too profound in depth.

20151031_1957372006 Soldera (courtesy of Dr S S Ngoi), aired in bottle for 9 hours prior to serving at Tunglok Signatures, Orchard Parade Hotel, Singapore, 31 Oct 2015. Medium-full, white flowers, black pepper, red fruits, dark plums, excellent length but slightly stern at the finish. Almost voluptuous.

2006 Ch D’Yquem Y (courtesy of Dr Ngoi), aired for 2 hours in bottle before serving at Tunglok Signatures, Orchard Parade Hotel, Singapore, 31 Oct 2015. An unusual opportunity to taste this uncommon white, the Y displayed a bouquet of crème de la crème, white flowers and traces of nectar with further notes of pineapples and tropical fruits after having settled down, but dominated by a ferrous tone on the palate, imparting a stern demeanour.

2001 Ch D’Yquem (courtesy of Dr Ngoi), two half-bottles aired for 2 hours prior to serving at Tunglok Signatures, Orchard Parade Hotel, Singapore, 31 Oct 2015. The second time in as many weeks that I’ve had this very same wine with consistent notes. Pure liquid gold oozing with luscious nectar, apricot and intense smoky sweet incense, displaying great linearity, acidity and uniformity, yet to develop secondary nuances but clearly stamped with greatness. Outstanding.

Laurent-Perrier Brut NV, popped and poured at All Night Long, Hong Kong, 06 Nov 2015. Forward characters of lime and yellow citrus, pretty intense and underscored by yeasty overtones, zesty and vibrant, a tad too dry for my liking on this occasion but not lacking in body.

2008 Frogmore Creek cabernet merlot, popped and poured at Golden Dragon restaurant, Hong Kong, 07 Nov 2015. Obviously a quaffer, this Tasmanian red, nonetheless, acquitted itself rather well with a lovely nose of red fruits, plums and a hint of prune and tangerine, but too disjointed on the palate where it was stern with a prominent metallic quality, finishing with dusty tannins.

2012 Chateau de Saint-Cosme Les Deux Albion, poured after a brief airing of 20 minutes in bottle at Golden Dragon restaurant, Hong Kong, 07 Nov 2015. This wine (albeit a 2001) achieved cult status after having been prominently featured in Vol. 2 of the famous manga The Drops of God, where it had swayed the taste buds of an eminent wine critic and, thereafter, formed part of a blinded 3-wine line-up of French vs Italy. True to form, the 2012 displayed an attractive earthy pungency with copious notes of cedar and red currants on the nose, somewhat lean on the palate initially but blossoming into a fine wine of fair intensity and definition with overtones of orange peel, a classic hallmark of Rhone, medium to full-bodied, ending in a graphite finish that was a tad short. The varied Cantonese cuisine didn’t match very well with it but I’d imagine this robust wine will go very well with barbequed meats. Priced at a shade above HKD400 from the restaurant list, this is, in every way, a good drop.

Raphael et Vincent Bereche Champagne Cote premier cru, a 2007 disgorgement, popped and poured at Imperial Treasure T3, 10 Nov 2015. Forward balance of lime and citrus zest, underscored by yeasty overtones and toast, featuring good depth and intensity but a tad too dry.

2008 Mount Mary Quintet, popped and poured from magnum over 3 hours at the wedding of Jon & Fiona, Ritz-Carlton Singapore, 14 Nov 2015. I thought this may be a massive wine but, most surprisingly, it turned out to be highly accessible with initial aromas of dark cherries, camphor and sweet incense and further notes of dark currants and blueberries within its depths on the palate, rounded with subdued tannins and understated structure, transforming further after some time into an utterly harmonious wine with a high tone of red plums, peaches and orange peel. In essence, this is a feminine wine, pretty much in spirit like a Lafite Rothschild or Ducru Beaucaillou, more of refined elegance than outright power though without the voluptuousness. Excellent.

20151114_2246481989 Ch Palmer (courtesy of Vic), opened for at about 3 hours at the wedding of Jon & Fiona, Ritz-Carlton Singapore, 14 Nov 2015. Fully evolved, this stately Margaux displayed a dominant tone of dried plums and tangerine supported by a prominence of dry gravel and earthy minerality that was almost saltish, utterly seamless, the glorious red fruits of 26 years ago still substantial and fresh beneath all that outer sheen. Likely to hold on for several more years. Excellent.

2001 Etude Pinot Noir Carneros (courtesy of Dr Ngoi), tasted after being aired in bottle for a couple of hours at the wedding of Jon & Fiona, Ritz-Carlton Singapore, 14 Nov 2015. This is a true pinot in style and spirit, relaxed, open and flowing with excellent linearity and purity of fruit, though its depth and power is considerably more substantial than I’d expected with a rich vein of ripe raspberries and dark cherries coursing through, trailed by traces of tangerine. Forget about comparing Old and New World pinot. I enjoyed it.

1999 Maison Roche de Bellene Puligny-Montrachet Les Combettes 1er (courtesy of Sanjay), tasted at Chef Kang’s after a brief airing, 17 Nov 2015. Traces of apricot and white flowers well supported by chalky minerality of fair intensity with an aged feel where the wine is somewhat subdued and placid in spite of having retained decent acidity, but its lack of fullness in mid-body for such a successful vintage is telling, eventually fading away, becoming hollow.

1999 Hospices de Beaune Beaune 1er Cuvee Maurice Drouhin (courtesy of MH), tasted at Chef Kang’s after a brief airing, 17 Nov 2015. Made by Joseph Drouhin, this wine displayed notes of dark raspberries and sweet wild berries with a dash of spice, linear, straightforward and fairly generous on the palate, turning stern and minty with a vegetal trace not unexpected of the Cote de Beaune reds before blossoming with a powerful tangerine and plummy tone.

2006 Sylvie Esmonin Gevrey-Chambertin Clos St Jacques 1er, tasted at Chef Kang’s after 45 minutes of aeration, 17 Nov 2015. Well-proportioned, good depth of fruit with predominant notes of bright cherries and rose petals, structured, well matched with a minty earthy tone, attaining a perfumed fragrance after some time though a tad short. Distinctly feminine, perhaps because it’s made by a female vintner?

2004 Jayer-Gilles Echezeaux Grand Cru (courtesy of LF), tasted at Chef Kang’s after an hour of aeration in bottle, 17 Nov 2015. Made by a distant relation of Henri Jayer, this wine seemed rather shut on the nose even at this stage, where one could only discern traces of red cherries on the nose while mild medicinal notes with bright spots that eventually broadened on the palate, gaining in intensity towards the end of dinner. Not particularly distinctive on the whole.

2002 Comte Georges de Vogue Chambolle-Musigny 1er (courtesy of Hsiang Sui), tasted at Chef Kang’s after 90 minutes of aeration in bottle, 17 Nov 2015. Dark, big, almost creamy with a metallic trace, saturating the senses with an abundance of dark currants and ripe dark cherries of excellent linearity with a dash of soy. Still yet to peak. Excellent.

2000 Bonneau du Martray Corton-Charlemagne Grand Cru (courtesy of Vic), tasted at Chef Kang’s after 90 minutes of aeration, 17 Nov 2015. Aromas of lemongrass amidst mild grassy overtones. Buttery with notes of coconut, nectarine, apricot and seared caramel with a controlled sweetness, intensity and understated complexity. Lengthy. Quite outstanding.

2011 Leflaive Puligny-Montrachet Les Clavoillon 1er, at Parkway Pantai’s annual cocktail party, Grand Hyatt Singapore, 23 Nov 2015. Quite the opposite of a Pucelles, the Clavoillon is marked by its distinctive aromatics with ample floral characters and notes of dried citrus and cinnamon, understated in minerality. Delicious.

20151123_2239372012 Meo Camuzet Vosne-Romanee Les Chaumes 1er, at Parkway Pantai’s annual cocktail party, Grand Hyatt Singapore, 23 Nov 2015. Clear ruby, predominant notes of red roses but surprisingly linear and restrained, lacking in multi-dimension on the palate. I’d expected more from this address.

2008 Jacques-Frederic Mugnier Nuits-Saint-Georges Clos de la Marechale 1er, at Parkway Pantai’s annual cocktail party, Grand Hyatt Singapore, 23 Nov 2015. Here is burgundy at its best, a wine of great purity, displaying excellent balance between the depth of intensity of fresh roses and cherries and the delicate aromatics. Lovely.

2009 Bonneau du Martray Corton-Charlemagne Grand Cru, at Parkway Pantai’s annual cocktail party, Grand Hyatt Singapore, 23 Nov 2015. Morning dew, melons, green apples and citrus of great intensity, supported by clear minerality with a trace of steeliness at the finish. Needs time to unfurl its full glory. Truly one for the long haul. Will be outstanding.

2006 Ch Montrose, at Parkway Pantai’s annual cocktail party, Grand Hyatt Singapore, 23 Nov 2015. Dark, full-bodied with a vegetal trace amidst an abundance of dark with a sense of warmth, dry with a gravelly tone at the finish. Still primal without much character at this stage.

2007 Ch Cos D’Estournel. at Parkway Pantai’s annual cocktail party, Grand Hyatt Singapore, 23 Nov 2015. Oozing with sweet tannins with a sense of heated stones, earth and cedar with excellent depth and concentration of fruit. Already very open at this stage of relative youth. Very pleasant. Almost as if it is made to please.

2011 Sassicaia, at Parkway Pantai’s annual cocktail party, Grand Hyatt Singapore, 23 Nov 2015. Earthy with broad swathes of dark currants and ripe red fruits, slightly disjointed and a tad simple at this youthful stage, displaying an attractive sweetness in its tannins.

2000 Ch Pontet Canet, at Parkway Pantai’s annual cocktail party, Grand Hyatt Singapore, 23 Nov 2015. Open, not too dry, displaying excellent depth, richness, concentration and balance, coupled with attractive aromatics. Clearly excellent now, but may be outstanding in another ten years

2009 Ch Corconnac, popped and poured at Jade Palace, 24 Nov 2015. Deep purple. Notes of dark currants and wild berries, generous in fruit density but shorn of fat and layering, imparting a lean austere texture to the wine, imbued with graphite minerality.

2005 Emmanuel Rouget Cros Parantoux 1er 1990 Ch Lafite Rothschild

November 4, 2015

Cros Parantoux is a rather small vineyard in Vosne-Romanee just before Richebourg, if one is coming from the north. Interest in this premiere cru only came about in recent times. It was relatively unknown until a certain Henri Jayer acquired a majority holding in this plot (with the remaining tiny portion belonging to Meo Camuzet) in the mid-1950s and replanted the vines.

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During the initial years when the vines were young, the wine made from Cros Parantoux by Henri Jayer was simply bottled and sold as Vosne-Romanee village. By the time the vines had matured in the 1980s, Henri Jayer had already mastered its terroir. It goes without saying that Henri Jayer’s production is small, with estimates running between 700-3000 bottles annually. With the last vintage being 2001, it is practically impossible to source for a genuine bottle of Henri Jayer Vosne-Romanee Cros Parantoux 1er nowadays. On the other hand, Henri Jayer’s holdings were shared between him and his nephew-cum-protege Emmanuel Rouget, and it is well-known that Henri Jayer had often played a large part in the winemaking at Domaine Emmanuel Rouget, particularly when the latter had been indisposed in the late 1990s, adding to further frenzied interest in the wines of Emmanuel Rouget. With the passing of the old master in 2006, all the holdings previously under Henri Jayer came under Emmanuel Rouget. The mysticism and romance of Cros Parantoux reached its peak when these wines of Henri Jayer and Emmanuel Rouget played a major part in a story of rekindled love in the Japanese manga comic The Drops Of God, with the older winemaker being revered as the “God of Burgundy” while the wine of Emmanuel Rouget was touted as “99 percent” similar to Henri Jayer’s.

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I’m not sure how Henri Jayer would have reacted had he lived to witness the fanatical interest in his wines but the fact is: Emmanuel Rouget has benefitted most from it all, the wines are expensive and they are extremely difficult to procure. However, the key question remains: how good really is it?

To be honest, I have never tasted any Cros Parantoux until we popped a bottle of the 2008 Domaine Emmanuel Rouget Vosne-Romanee Cros Parantoux 1er only a couple of months ago at Lameloise in Chagny. That bottle, undoubtedly, displayed rich abundant characters of glorious red fruits and cherries but it was still far from any kind of secondary development, the subtleties of great burgundy still obscured by broad swathes of new oak. We had wasted a precious bottle of this wine that, in the first place, the restaurant should not have included in its wine list.

Our hearts beat faster again when Dr Ngoi proffered another bottle, this time a 2005 Domaine Emmanuel Rouget Vosne-Romanee Cros Parantoux 1er at dinner at Tunglok Signatures, Orchard Parade Hotel, Singapore, on 31 Oct 2015, in the presence of Philippe Capdouze (CEO of FICOFI) and Jean-Paul Dumond (Sales Director of Joseph Drouhin) who had flown in from Beaune. Would a further three years of bottle age make any significant difference? I arrived an hour before dinner to open the wine, airing it in bottle for 3 hours before it was served. In spite of this, a certain amount of bottle stink was evident which KG concurred and, for a moment, I quietly feared that the wine was corked although Philippe and Jean-Paul seemed to feign polite ignorance. Thankfully, it disappeared after an additional second pour of the wine, allowing one to revel in its intoxicating aromas of red fruits, dried red plums and brandied cherries, rounded with a quiet intensity on the palate, sufficiently open to permit a glimpse of camphor, blueberries and raspberries of immense depth and concentration, tightly coiled, simply waiting to burst forth, as it finished with great length. Yet, this is never, at any point of time, a hedonistic monster. This is a wine of understated elegance at the present moment that will most certainly be wonderful and sublime in another 10-15 years.

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Did the beautiful woman in the strawberry field turn around to kiss me, as romanticised metaphorically in The Drops Of God? Well, I think I caught a side profile, more than a glimpse perhaps, but that kiss is still elusive.

In contrast, the 1990 Ch Lafite Rothschild, decanted on-site for 3 hours and drunk alongside the Cros Parantoux, was distinctly feminine, displaying a wonderful perfumed fragrance and lifted aromas of rose petals, red fruits, red plums and blueberries, rounded with added notes of white pepper and mild earthy pungency on the palate without much of the Pauillac dryness, brimming with elegant intensity, understated power and great persistence throughout its length with no hint of the wine having hit its peak. A quintessential Lafite, like a woman whose beauty is apparent, yet unfathomable.

Between these two outstanding wines, the 1990 Ch Lafite Rothschild is drinking very well now at less than half the price of the 2005 Domaine Emmanuel Rouget Vosne-Romanee Cros Parantoux 1er. The latter, on the other hand, is far from ready but could turn into something truly special. But, as of now, the magic of a Cros Parantoux still eludes me. Thank you, Dr Ngoi, for the tasting opportunities.

2006 Liger-Belair La Romanee, 2002 Robert Groffier Amoureuses, 2001 Comte de Vogue Bonnes-Mares, 2010 Henri Boillot Pucelles, 1988 Salon ‘S’, 2001 D’Yquem…

October 22, 2015

Little did we realise, less than a month after we had first met Mme. Delphine Tronchon, CEO of FICOFI Paris, at Vosne-Romanee, that we would have a chance to play host to her for dinner at Tunglok Signatures, Orchard Parade Hotel, Singapore, on 20 October 2015 where, as usual, Dr Ngoi had arranged a delectable 5-course menu in its private room. An all-Burgundy line-up was planned and I must say that the Tunglok staff surpassed themselves this time, making sure that each different wine was poured into a new glass. 2015-10-20 20.49.58As we settled down, a 2004 Dom Perignon (courtesy of Dr Ngoi) was poured. This turned out to be rather shut on the nose but open on the palate, displaying notes of white flowers and citrus, minerally and well-balanced with good intensity, not overly crisp but yet to develop further complexity.

Dr Ngoi had also brought along a 2006 Comte Liger-Belair La Romanee Grand Cru, quite a rarity, which he insisted that we taste first before our palates become influenced by food. Displaying quite a bit of bricking and evolution, this wine possessed a most beautiful bouquet, initially of floral notes, camphor and a mild medicinal sweetness before being dominated by a high note of plums more than an hour later, highly elegant on the palate with open textures, fully harmonious with recessed tannins, finishing with great persistence and excellent mouthfeel. Truly feminine. Not quite as structured as other reds up north but this is a wonderful wine and what a privilege it was to have tasted it.

We moved back to the whites for the first course of shark’s fin, a 2009 Domaine de la Pousse d’Or Puligny-Montrachet Les Caillerets 1er (courtesy of Sanjay) that was creamy smooth and restraint, growing in intensity on the palate with notes of white flowers over time, yet retaining an appealing lightness of being. 2015-04-22 20.40.06This was paired with a 1988 Salon Cuvee ‘S’ Le Mesnil Blanc de Blancs (courtesy of Hsiang Sui), fully matured with complex characters of yeast, toast, honeysuckle and caramel cast in a burnished tone, yet still youthful with fresh acidity and excellent depth of fruit. Truly marvellous.

This was followed by a pair of reds to go with the next dish of baked chicken, a 2008 Meo Camuzet Vosne-Romanee (courtesy of Miah Hiang), intense in color and bouquet, dominated by notes of earth, rich red fruits and dark berries of excellent depth, structured, balanced and refined, a wine of great finesse that belies its village status. Drunk alongside, the 2006 Prieure-Roch Vosne-Romanee Les Suchots 1er (specially sent over for us by its winemaker Yannick Champ and carried by Delphine herself) was highly individualistic with an attractive earthy pungency amidst high-toned minerality, tangerine and red fruits, settling down eventually with refined intensity, just a tad short. The next course of hairy crab was paired with a 2010 Henri Boillot Puligny-Montrachet Les Pucelles 1er, displaying great typicity with its fabulous complex of intense minerality, apples and crème de la crème with a slightly forward balance, developing more fat with an oily texture and a dash of coconut after some time, ending with great persistence. Superb.

Another pair of reds was drunk with the noodles that followed. The 1999 Prieure-Roch Clos de Vougeot Grand Cru (courtesy of Li Fern) again displayed a characteristic high plummy tone from a wine that is clearly well-evolved, displaying great harmony with a spicy finish. 2015-10-20 20.53.36Next to it, the 2003 Armand Rousseau Charmes-Chambertin Grand Cru (courtesy of Vic) exhibited a most attractive pungency on the nose with a predominance of red fruits and redcurrants, displaying a good level of complexity and depth although, expectedly from this climat, a wine that is less structured compared with other benchmark grand crus of Chambertin.

The final pair of reds was drunk on their own, representative of some of the best of Chambolle-Musigny. The 2002 Robert Groffier Chambolle-Musigny Les Amoureuses 1er (courtesy of Eddy) displayed a wonderful fragrance of red cherries, camphor and traces of dark berries, a wine of great purity, concentration and balance that truly harmonises power and finesse, better than a younger Faiveley that we had last month at Ma Cuisine. As good as that was, the 2001 Comte Georges de Vogue Bonnes-Mares Grand Cru (courtesy of Hsiang Sui) truly lived up to its exalted status, sporting rich red and dark berries of fabulous intensity, power, depth and structure, its sophisticated tannins imparting a wonderful mouthfeel without heaviness nor fatigue. A complete wine. To wrap up, a 2001 Ch D’Yquem was proffered (courtesy of Hsiang Sui), exhibiting an indescribable high-toned complex of nectar, bright citrus and ripe tropical fruits with overtones of incense, crème de la crème and a dash of graphite at the finish, burnished and uniformly intense throughout its length, a complete Sauternes with a long, long life ahead. This evening will not be easily forgotten. My sincere thanks to everyone for their generosity.

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