Hugel & Fils in Singapore
I had the opportunity to attend a lunch organised by the Alsace Wine & Gastronomy Society, courtesy of its founder Julian Teoh, on 11 Jan 2014 at Bar-Rouge, Amara Hotel, Singapore, featuring the wines of the famous Alsace producer and negociant Hugel et Fils with its proprietor Etienne Hugel, and his lovely Japanese wife, in attendance.
Stephan (and his mother!) conjured up a meal that would have been perfect for any table in the south of France and we were set.
To start the afternoon rolling, the 2008 Hugel Pinot Gris Jubilee was served as the aperitif while we waited for everyone to arrive, muted with a faint grassy note though it was much better on the palate, displaying good weight with notes of tropical fruits and burnt sugar although it still came across as somewhat simple.
Once we were seated, Etienne poured an unusual entity in the line-up, a 2008 Hugel Pinot Noir Jubilee that was quite correct in color but otherwise nondescript, with just faint notes of red cherries that was really unremarkable. Stick with real Burgundy.
This was followed by the 1998 Gewurztraminer Hommage a Jean Hugel that was most promising on the nose with an abundance of lychee and honey though its acidity was beginning to slip, lacking complexity and depth initially although this was soon corrected with food.
The real charge began thereafter with the 2009 Hugel Riesling Vendange Tardive, which was a notable step up in sweetness compared to what had been tasted earlier, delicate in minerality, remarkably balanced and smooth with some lovely complexity at the finish. Excellent. The 2012 Hugel Lentil that followed was considerably lighter in body, grassy with refreshing crisp citrus, becoming weightier after some aeration.
The highlight of the afternoon was a quartet of Hugel Riesling Jubilee which provided scope for some fascinating comparison. The 2007 displayed subtle hints of tropical fruits and floral notes, painting the palate with broad bold strokes of great concentration and intensity, already fairly open with a lovely breadth and depth, superb potential but still far from ready. The 2010 was similarly intense but tighter with an abundance of nectarine and a dash of apricot. The 2001, with the advantage of bottle age, was, not surprisingly, the best of the lot, most enticing with lifted aromas of sweet nectar and honey, open with complex minerality and a wonderful mouthfeel, tapering to a long lasting finish. Drinking superbly. Holding its ground alongside the rest was the 2005, again excellent in concentration, smoky with notes of burnt sugar and tropical fruit amidst its crystalline minerality, growing in intensity over time with a mild steely note towatds the finish.
Perhaps the best was left till the end. The 2009 Hugel Riesling Selection de Grains Nobles was lively and deep with primary characters of apricot, burnt caramel, honey and nectarine, rematkably balanced and long and obviously will require considerable cellaring to develop its full potential. And finally, the piece de resistance, in the form of the 1999 Hugel Riesling Selection de Grains Nobles, displaying a deep luscious golden hue, was still laced with just the right degree of subtle acidity in spite of considerable bottle age, multi-dimensional with dominant notes of deep honey and caramel, absolutely superb in its purity, depth and length. Quite sensational, bringing the afternoon to a very satisfying conclusion. Thanks, Julian.
One Or 100
I had the privilege of attending a fund-raising dinner at Gardens By The Bay, Singapore, 28 Nov 2013, part of The Giving Tree project organised by NUHS in aid of the less fortunate. Given that the evening’s theme was all about giving generously, and this being a black-tie event, I didn’t think it was too difficult for like-minded members of Bacchus, conveniently placed at the same table, to match the lofty wine theme of “One Or 100”, meaning a Bordeaux First Growth (or its recognised equivalent, non-Bordeaux estates accepted as well) or a wine rated 100 points by Robert Parker Jr. No other planning was done and when I showed up, it was good to find that everyone had matched up perfectly. In fact, w
hat a stunning line-up it turned out to be, and it was no surprise that even people like Ignatius Chan (of Iggy’s fame), Timothy Goh (Les Amis) and Angelina Teh (Bordeaux Index) all gravitated to our table. All wines were aired in bottle between 30-60 minutes prior to tasting.
As Vinum Fine Wines was one of the proud sponsors of this event, it was not surprising to find a free flow of one of their agency brands, Bruno Paillard Premier Cuvee Brut NV, as the aperitif. This was quite lovely, displaying subdued citrus with measured notes of nutmeg, white roses, vanilla and sweet pomelo, very well-balanced with further notes of toast and yeast appearing much later.
We began south of Bordeaux city with the 1999 Ch Haut Brion (courtesy Vic) which, to our surprise, still appeared primal, utterly rich with a smooth intensity that yielded a superb mouthfeel with traces of vanillin oak still discernible amidst the sophisticated fine supple tannins, already quite open at this stage and becoming accessible now, growing in complexity over time as further notes of bright cherries and raspberries emerged, lifting its aromatics to greater heights. Totally under-rated, and I’d suggest you get a case of this if the price is right. A superb start.
It was a distinct pleasure to taste the next two wines together. I’ve heard and read so much about the 1998 Penfolds Grange (courtesy Danny) ever since I got hooked on wine but this was the first time I’ve had a chance to experience it. Contrary to popular belief, Aussie reds can age really well and this bottle of Grange proves that point. A deep and generous bouquet of menthol, mint and herbs from the wonderfully ripe shiraz led to an expansive canvas of dark plums and tangerine on the palate, utterly rich and opulent, the expert craftsmanship ensuring the wine remained at ease in spite of its hedonistic qualities, tapering to a long and lasting finish. Purists will object to the multi-district blend of shiraz that Penfolds favours for its Grange, but one could easily be persuaded that it works. Truly one of the very best examples of Aussie shiraz that I’ve had, masculine and lithe as opposed to the enticing grace and elegance of its great rival, Henschke’s Hill of Grace. Great stuff.
Tasted alongside, the 1998 Vega Sicilia Unico was just as effusive on the nose, but distinctly more Old World in character with complex characters of cedar, cinnamon, red plums and kumquat, medium-full and beautifully layered and open. Highly distinctive, leaving a more lasting impression thanks to its ever-evolving complexity over time compared to the Grange. Really excellent.
The next three wines were truly outstanding. The 1995 Ch Mouton Rothschild (courtesy Pipin), exhibited an ample lovely pungency of mushrooms, snuff box and earth, leaping out of the glass along with a powerful glow of tea leaves and dried plums only possible from a Bordeaux breed of distinction. The palate is saturated with ripe dark berries, black fruits and a dash of red plums, superbly balanced, matched by sophisticated tannins to produce great structure and definition all the way to its lasting finish. A great Mouton, which made it all the more difficult to believe that it could be so different from a similar bottle tasted back in 2011 at a Mouton vertical (see Feb 2011). Paired with this was the 1996 Ch Latour (courtesy Hiok), which had the advantage of having been double-decanted prior to dinner. Well, there isn’t much about this estate that hasn’t been said or written about, safe to say that it outshone the Mouton in breadth and depth.
Whereas the Mouton had seemed exuberant, perhaps even hedonistic in the French manner, the Latour was the perfect study in understatement, layered with glorious black fruits, dark currants and complex minerality of unfathomable depth, yet poised and relaxed on the palate, utterly natural and effortless in establishing its identity whilst further nuances of cinnamon and cedar continued to unfold over time. Truly outstanding.
And, finally, for the piece de resistance, a wine that hit the target for the theme on both counts, the 1986 Ch Mouton Rothschild (courtesy KP), a wine that, thanks to the generosity of fellow Bacchusians, I’ve had the privilege of tasting on several occasions, never failing in its consistency. In spite of its age, the 1986 Mouton tastes only like all of 10 years, complex, big and open, superbly balanced, yielding gorgeous definition with great depth of redcurrants, dark berries and a touch of tar, remarkably smooth and effortless in expression, its Pauillac signature remaining understated. The perfect wine? Perhaps, but this has been a perfect line-up for a wonderful evening of dining and camaraderie. Thanks, Kieron, and to everyone at Bacchus for their contributions.
Chateau Angelus 1993 & 1996
A casual dinner at Burlamacco Ristorante, 22 Oct 2013, where John and I happened to bring a bottle each of Ch Angelus without having made any prior arrangement. Great minds, indeed. Both were decanted on-site. To my surprise, the 1993 (courtesy John) proved to be robust and full with notes of red fruits, plum and cinnamon, solid and almost angular on the palate. This rusticity took time to settle, whereupon the initial nose of earth, saddle and aniseed had transformed into quite a lovely bouquet of rose petals and cherries, while its angularity gave way to svelte tightly-knitted tannins, though missing in charm. It remained this way till the last pour, where a metallic quality became discernible at the finish.
To some extent, the 1993 shared similar qualities with the clarets of 1994. Under-rated, and would prove to be an astute buy if the price is right.
In contrast, the 1996 showed up the deficiencies of the above right from the start, its distinctive fragrance and lifted floral bouquet led to an open wine with supple textures, the notes of dark currants, ripe berries and a hint of cabernet franc carrying a lot more depth, layering and balance compared to the 1993, with a mild medicinal note creeping in towards the last pour. This bottle is more fruit-forward and preferable compared to a previous one tasted in February 2012 (which had seemed dry and backward), replete with substantial sur-maturite and typicity of a well-aged claret. Nevertheless, it still lacks the opulence and charm of Angelus from the best years. I doubt it will improve much further.
1983 Lynch Bages, 2002 Zind Humbrecht Goldert
These notes came from an excellent off-line meet-up with Julian Teoh, renowned food and wine critic and founder of the Alsace Society, Singapore, at La Barca, 20 Nov 2013, which I thought would be an occasion as good as any to pop my last bottle of the 1983 Ch Lynch-Bages, which was decanted on-site for 30-45 minutes prior to serving. What a phenomenal wine this turned out to be. Though obviously fully mature, the wine still radiated a lovely ruby glow that gave no hint at all of its 30 years while notes of rose petals and cherries of remarkable purity dominate initially, yet retaining excellent weight without any trace of hollowness. Any fear of it fading with prolonged aeration proved to be unfounded as it grew in weight and intensity over time, exuding layer upon layer of tertiary characteristics, glowing with utter complexity throughout the evening that typifies Bordeaux with just a dash of mint at its lengthy finish.
One might have easily mistaken it for an aged Burgundy if blinded if not for its Pauillac signature of snuff, dried mushrooms and tea leaves, still intact after all these years. Superb.
The 2002 Zind Humbrecht Goldert (courtesy Julian) was just as glorious in its own way. Popped and poured after a brief period of aeration, this luminous golden liquid exuded notes of complex citrus, fig, nectarine and white flowers from the first pour, the lively acidity imparting a sense of freshness and excitement. It settled down after the initial euphoria with a nod towards emerging caramel and apricot before picking up in intensity again, producing a kaleidoscope of tropical fruit flavours and brilliant nectar underscored by a gentle steeliness from the graphite minerality, resembling in part, a spatlese, which is, perhaps, not all that suprising given that it is, after all, a gewurstraminer. I must admit my experience with Alsace is severely limited, but this tasting experience will certainly point me in that direction. Wonderful.
1998 Ch Haut-Brion
This wine came courtesy of John on the occasion of his promotion, 26 Nov 2013, over a seven-course degustation at The Rabbit Stash, a cosy but serious restaurant run by a husband-and-wife team at The Alexis, Singapore, certainly a dining venue that I can recommend wholeheartedly, especially as it is BYO on Tuesdays with stemware by Riedel, no less.
We began the evening with a Ruinart Blanc de Blancs NV, which was medium-full and fairly open on the palate with lively notes of fresh citrus, green apples, sweet pomelo, a dash of tropical fruits, walnuts, toast and traces of vanillin, drying out towards the finish as the wine gained further intensity over time.
Of the several different Haut-Brions I’ve had over the years, one seldom encounters the 1998 Ch Haut-Brion, which John pleasantly surprised me, having double decanted it for more than 3 hours earlier in the evening. Effusive notes of cordial and rose petals erupted from the glass, saturated with a perfumed fragrance that was impossible to dismiss. This medium-to-full bodied wine broadened over the palate with food and further aeration as notes of dark cherries and blackcurrants emerged towards the fore with a residual tinge of tangy citrus lurking in the background. As with all Haut-Brions, the balance is impeccable, the wine becoming highly focused and opulent (to be fair, a description seldom associated with Haut-Brion) as it gained depth over time with layers of early secondary development. Still far from its peak drinking period, and I’d suggest that anyone with an eye for value should seriously consider securing a half-case. Outstanding.
Notes from Yarra Valley: Coldstream Hills & Yering Station
These are brief tasting notes at the respective cellar doors of Coldstream Hills and Yering Station during a day trip to Yarra Valley, a region supposedly famed for its chardonnay and pinot noir just 50 km east of Melbourne, Australia, on 2 Dec 2013.
2010 Coldstream Hills sparkling pinot noir chardonnay. Lively green notes, crisp citrus, mildly yeasty, darker notes of pinot noir complementing well with chardonnay, attractive minerality, not too dry.
2012 Coldstream Hills Chardonnay. Lovely creaminess, buttery character, framed by graphite at the edges. Straightforward.
2012 Coldstream Hills Deer Farm single vineyard chardonnay, from a higher altitude. Noticeably deeper vein of minerality with balanced lively acidity.
2012 Coldstream Hills Rising Vineyard single vineyard chardonnay. More aromatic than the Deer Farm, more fat, fuller. Very attractive.
2011 Coldstream Hills Reserve Chardonnay. Highly developed aromatics, displaying excellent depth and balance, stuffed with yellow citrus, very Burgundian. Excellent. We ordered a case to be shipped home.
2012 Coldstream Hills Deer Farm pinot noir. Bright red fruits, enamel, slightly savory but rustic at the edges. Lacks depth.
2012 Coldstream Hills reserve pinot noir. Darker in tone with a classic pinot character, very smooth but again missing in depth and complexity though lasting in finish.
2010 Coldstream Hills merlot. Aged in French oak. Big on the nose with plenty of spicy menthol, slightly medicinal, savory, peppered with occasional green notes.
2010 Yering Station estate chardonnay. Eucalyptus, cream, traces of green apples, pears. Rather simple.
2010 Yering Station estate pinot noir. Fairly deep aromatics, cherries, traces of redcurrants, earthy finish, lacks complexity.
2012 Yering Station Estate cabernet sauvignon. Saturated with redcurrants, chocolate, structured with well-integrated tannins peppered with mint, menthol, touch of earth.
2007 Yering Station Willow Lake chardonnay. Beautiful aromatics, lifted, dominated largely by stony minerality on palate, backward citrus, lemon, well-integrated but lacks layering. Better on the nose than palate.
2007 Yering Station Coombe Farm chardonnay. Lovely aromatics, peaches, cream, better integration of fruit and minerality though still lacking in layering.
2010 Yering Station reserve chardonnay. More intense, some creaminess and buttery characters, deeper vein of tropical fruit, very good weight, some early complexity, lasting finish. Quite classic. Quite excellent.
2012 Yering Station Reserve pinot noir. Strawberries, earth, some sancha, excellent teasing acidity, carries the right balance, delicate enough, lots of potential.
2010 Yering Station Reserve shiraz viognier. Deep and luscious with a lovely fragrance, full-bodied, fairly dense, proucing a spicy mouthfeel with plenty of ground pepper, wrapped in silky tannins. Very well crafted and tight, but more rustic in feel compared with an actual Rhone.
2010 Yering Station Old Beenak Road Reserve shiraz. Lifted redcurrants, blueberries, deep, plummy, early complexity, traces of tangerine, great delineation. Perhaps just slightly short. Lots of potential, though. I brought home a bottle.










