2006 Henri Boillot Corton Charlemagne Grand Cru (courtesy of KW). Popped and poured after a brief period of aeration in bottle at Gattopardo, 2 Dec 2014. Too cold initially with only shades of creme and vanilla discernible. As it warmed up gradually, it grew in body and intensity, broadening with full-bodied complexity on the palate, supported by gorgeous firm minerality with a lovely lift towards a slightly minty finish. This is a Corton-Charlemagne to match those of Bonneau du Martray. Excellent.
2002 Maison Leroy Chassagne-Montrachet, decanted on-site at Gattopardo, 2 Dec 2014. One of the few reds produced from Chassagne, this wine is notably darker in tone and color, dusty red that’s almost brownish, displaying notes of ripe raspberries amidst raisins and medicinal overtones and traces of burnt.
Very atypical for a burgundy, even coming from this venerated estate. I’ll stick with the reds from the Cote des Nuits.
1989 Ch Chasse-Spleen, decanted on-site at Gattopardo, 2 Dec 2014. Still retaining a deep purple after 25 years, this wine exhibits effusive aromas of blueberries and raspberries and traces of tangerine that are well-replicated on the palate with excellent depth of fruit, most succulent and alluring, replete with sweet soft tannins. Clearly at its drinking peak and looks set to hold for several more years. Excellent.
Moet et Chandon NV Rose (courtesy of KP Lim), popped and poured at New Ubin Seafood, 07 Dec 2014. Attractive bouquet of pink roses, cherries and other floral notes but somewhat dry and one-dimensional.
2002 Dom Perignon (courtesy of Vic) at New Ubin Seafood, 07 Dec 2014. Never disappointing, the 2002 DP is a prodigious wine, somewhat muted initially but eventually glowing with notes of fine complex citrus well-integrated against the chalky minerality with a dash of creme and vanilla, displaying great depth and early complexity though still tight and steely.
2011 Hudelot Noellat Chambolle Musigny at New Ubin Seafood, 07 Dec 2014.This wine is really lovely, stuffed with red fruits of excellent purity and depth, striking a beautiful balance with the salty minerality, ending in a long lasting finish. Excellent.
2004 Ghistaine Barthod Chambolle Musigny Aux Beau Bruns 1er. Corked unfortunately.
1998 Ch Clos de l’Oratoire (courtesy of SS Ngoi) at New Ubin Seafood, 07 Dec 2014. Still displaying a deep dark red, full-bodied with predominant notes of soy amidst some mild herbal aromas, excellent in concentration with velvety tannins. Still not much development at this stage. this will be a long-lived Saint Emilion.
2006 Vieux Chateau Certan (courtesy of SS Ngoi) at New Ubin Seafood, 07 Dec 2014. Full-bodied with a powerful earthy pungency, yet soft and accessible. Still unevolved and slightly short.
2005 Vieux Chateau Certan (courtesy of SS Ngoi) at New Ubin Seafood, 07 Dec 2014. Dark inky black, oozing with ripe warm black fruits with subtle graphite colouring, full-bodied but superb in balance. Still primal, this will be a long-lived Pomerol.
2005 Hestan Vineyards cabernet sauvignon (courtesy of LF) at New Ubin Seafood, 07 Dec 2014. Predictably huge with a strong graphite element, traces of herbal medicine and an abundance of dark fruits. Hedonistic but superbly controlled, balanced and crafted.
2011 Alois Kracher No.8 Scheurebe Trockenbeerenauslese, at New Ubin Seafood, 07 Dec 2014. One marvels at the remarkable balance, just medium-full, never heavy, achieving a lovely concentration of melons, tropical fruits, lychees and fig with a quiet intensity and inner complexity, yet never over-bearing. Excellent.
2003 Ch Guiraud at New Ubin Seafood, 07 Dec 2014. Full-bodied but dipping in acidity already, which is both surprising and alarming, robbing this Sauterne of its verve and liveliness, turning a tad heavy and flat.
2007 Paul Hobbs Lindsay Estate Vineyard Pinot Noir, popped and poured at Bedrock Bar & Grill, 08 Dec 2014. If I hadn’t known that this bottle was a pinot noir, I’d have thought I was drinking a malbec or GSM blend, for such was its weight and forward projection of ripe dark fruits and raspberries amidst powerful medicinal and herbal overtones, tight and tannic on the palate. Did the estate label the bottle wrongly?
2009 Altavilla Della Corte Firriato, a half-bottle bought off the list of Buona Terra, 09 Dec 2014. Popped and poured. I’m highly impressed by the lifted aromas of white roses, fig, melons and citrus coupled with seared caramel and light honey of surprising richness and intensity on the palate, supported by firm chalky minerality that added to some degree of genuine complexity. An over-achieving Sicilian, perfectly agreeable at SGD58.
2008 Il Marroneto Brunello di Montalcino, a half-bottle bought off the list of Buona Terra, 09 Dec 2014. Aired in bottle for well over an hour. This Brunello does not disappoint, promising a big wine with powerful aromas of red plums, cedar, raisins and dark berries, living up to its promise on the palate, medium-full with excellent depth of fruit, yet open and layered with a rich vein of dark berries, suggesting that this wine still has quite some way to go before peaking.
2004 Ch Bernadotte, popped and poured at Asia Grand, 13 Dec 2014. This wine appears to have turned the corner, shedding its green surly coat, more open on the nose and palate with notes of cedar, raisins and ripe berries, carrying excellent weight and supported by understated minerality and sweet subdued tannins. Definitely much more inviting and delicious than ever before.
1995 Verve Cliquot La Grande Dame (courtesy of Chor Tzien) at Chotto Matte, 18 Dec 2014. Very lovely on the nose with notes of cashews, toast and yeast, deep and inviting, displaying excellent balance on the palate between the lively citrus and crystalline minerality. Sophisticated and highly attractive.
2004 Belle Epoque Perrier-Jouet, popped and poured at Chotto Matte, 18 Dec 2014. Forward balance of dense citrus that is somewhat acerbic on the palate, tapering to a steely austere finish.
2009 Leflaives Macon-Verzes (courtesy of Li Fern), aired for 45 minutes at Chotto Matte, 18 Dec 2014. It was good to return to this perennial favourite, still full-bodied and packed with an abundance of ripe citrus and chalky minerality, intense on the palate, yet to yield further complexity.
2002 Leroy Montagny (courtesy of Li Fern), aired for almost an hour at Chotto Matte, 18 Dec 2014. Attractive bouquet of earthy pungency. Slightly flat on the palate but it transformed quite quickly into a broader wine with notes of white flowers and tangy citrus, rather firm, finishing with a bit of spice at the edges. A good drop but I wished it carried greater complexity.
2009 Meo Camuzet Morey St Denis, aired in bottle for 90 minutes at Chotto Matte, 18 Dec 2014. In spite of its youth, this wine is fully accessible now, stuffed with fruit of great purity, offering lifted aromas of ripe raspberries, cherries and camphor with traces of vanilla still discernible, replete with plenty of fat in the mid-body, just a tad spicy at the finish. Excellent.
2003 Joseph Drouhin Charmes-Chambertin Grand Cru (courtesy of Ooi CJ) aired in bottle for 90 minutes at Chotto Matte, 18 Dec 2014. I’m afraid this Grand Cru doesn’t quite live up to its billing, rather heavy with medicinal aromas that tend to impart a certain density on everything else. Disappointing.
2007 Sylvain Cathiard Vosne Romanee “Aux Malconsort”1er Cru (courtesy of SS Ngoi), aired in bottle for 90 minutes at Chotto Matte, 18 Dec 2014. Expectations were high and this wine doesn’t disappoint, offering a fantastic bouquet of pink roses and other floral fragrances, displaying great presence and depth on the palate with predominant notes of red cherries and spice that lent plenty of verve and vibrancy. Excellent.
2004 Clonakilla Shiraz-Viognier, popped and poured at Beng Hiang, 20 Dec 2014. I don’t like the way this wine is shaping up after 10 years, even though this bottle had been immaculately cellared for the past 7 years. Heavy with a predominance of medicinal overtones and forest floor and wild berries, one-dimensional and angular, almost hard. Disappointing.
2007 Ch Haut Batailley, popped and poured at home, 22 Dec 2014. Compared to a previous bottle from the same batch tasted about 18 months ago, this wine has turned alarmingly angular and disjointed, its fruit already stale and drying out, leaving a carcass of musty wood and dusty tannins. Not worth buying even at SGD59.
2010 Ch Loudenne, popped and poured from magnum (my last!) at the wedding of Evan & Cynthia, Shangri-La Hotel Singapore, 27 Dec 2014. This wine offers deep aromas of rich dark currants and blueberries on the nose although, on the palate, it is distinctly medium-bodied, slightly lighter and more open in texture than before with a good concentration of violets and graphite elements in its sophisticated tannins, growing in intensity over time, a cru bourgeois within touching distance of a Fifth Growth. Very good for its price.
1981 Ch Margaux (courtesy of John), a half-bottle decanted on-site at Otto Ristorante, 30 Dec 2014. To be honest, there was substantial bottle stink on the nose and palate that almost amounted to the bottle being corked, but we didn’t have the heart to pour away a Margaux. Thank goodness, though, it seemed to blow off by the time we reached the latter half of the bottle, revealing predominant red fruits and tangy citrus that the wine still carried, allied with notes of earth, forest floor and wild berries amidst a soft fragrance. However, this wine clearly lacked distinction and if I’d been blinded, there was no way I’d have known this was a 33-year-old premier cru. Nevertheless, a big thank-you, John.
Mansard Brut NV, popped and poured over lunch at Imperial Treasure T3, 31 Dec 2014. Attractive and promising at first with generous notes of lime and citrus supported by flinty minerality, offering very good depth of fruit. However, it became far too dry and crisp after some time, becoming one-dimensional and hard.
A corked encounter at Steirereck, Wien.
I had the chance to re-visit this two-star Michelin establishment in Vienna for lunch on 18 Sep 2014 after a two-year hiatus, during which it had undergone some interior renovation. For those who remember its outrageous restrooms, I regret to announce that all that have gone, replaced now with ordinary fittings.
But, more importantly, Steirereck has upped the ante for what truly counts: its service is now friendlier and less stiff, yet delivered with greater polish, its wine list more extensively stuffed with Austrian offerings, and its cuisine more imaginatively and immaculately executed (not that it never was).
I have never been let down by Austrian whites, always uniquely flavoured and complex and reasonably priced and, on this occasion, I let the sommelier recommend the 2012 Prager Achleiten Grüner Veltliner after I had indicated my preferred grape varietal. As expected, this wine, decanted on-site, possessed very lovely and powerful aromatics hinting at crème de la crème, white roses and magnolias with an attractive grassy element whilst the palate revelled in the rich stony minerality that supported the excellent depth of fruit, combining to produce a lively and complex proposition.
As lunch wore on (four hours!), a hallowed glow of hazelnuts and apricot grew out of the glass, a testament to its outstanding virtues.
For the red, I opted to move away from the ubiquitous blaufrankisch varietal, following instead the sommelier’s recommendation of a 2011 Claus Preisinger St Laurent Merlot from the region of Neusiedlersee. Decanted on-site for close to an hour prior to serving, the wine was notable for a huge earthy pungency that was on the verge of being corked. Whilst sniffing and sloshing the wine, I deliberated for several moments as to whether it may actually be corked although the fruit seemed alright on the palate, dominated by notes of forest floor, twigs and wild berries. I remarked to the young sommelier about the intense pungency but he waved it away (without tasting the wine), instead waxing lyrical about how familiar he was with the wine and its quality, having worked at the estate for three years. In the end, I decided to give it the benefit of the doubt and accepted the bottle. However, as we drank through the bottle, I found the fruit to be continually overshadowed by a prominent salty minerality and the continual pungent presence that tended to shroud everything else. Three-quarters of the way through, I called the sommelier to bring over another similar bottle. Thinking that we needed more wine, he came bubbling over with fresh glasses and a new bottle. But before he proceeded to open it, I called the first bottle as corked, offering to pay for the second should I be proven wrong. It was only then that the young man took a swig from the remaining wine, agreeing immediately that it was, indeed, corked.
In fact, I’d underestimated the severity, for the new bottle displayed a level of immediacy, freshness, vigour, depth and layering that was so far removed from the initial offering. In its full glory, this Claus Presinger St Laurent Merlot is truly excellent, offering an abundance of rich luxuriant red and dark fruit of wonderful depth and balance, coating the palate with ripe supple tannins, ensuring that this memorable lunch will not be forgotten.
2010 Ch Muret, popped and poured at Jade Palace, 3 July 2014. Regular followers will realise that I’m trying to suss out good clarets from outstanding vintages without having to burn a hole in my wallet. This cru bourgeois seemed relatively shut on the nose in spite of persistent coaxing, barely displaying characters of black fruits, gravel and graphite on the palate, balanced but tight, tapering towards a stern finish. I was about to write this off mentally when it began opening up after 45 minutes, with more notes of red fruits emerging, the wine becoming more relaxed and richer. At SGD40, it’s worth popping another in a couple of years time.
2010 Henri Boillot Savigny-les-Beaune 1er Cru “Le Lavieres”, popped and poured at Otto Ristorante, 9 July 2014. Served a bit too warm initially, the wine was tannic and angular. It showed a lot better after having cooled down, revealing lovely aromas of rose petals on the nose although it took a lot longer for it to gel together on the palate, where it was medium-full with notes of raspberries and dark cherries though somewhat subdued in character without much fat in the mid-body and tannins that have yet to resolve.
2004 Ch Bernadotte, popped and poured at Ka-Soh, 11 July 2014. Although from the same case that I just bought recently, there clearly is some degree of bottle variation, for this bottle was rather uninspiring, flat and vegetal, cloaked in dusty tannins for the most part of dinner, only showing signs of transformation at the end of dinner whereby it took on a fresher stance with more quality fruit emerging to the fore whilst its tannins receded. Will try my best to refrain from popping the rest of the case for some time.
2012 Case Sparse Chianti, a half-bottle popped and poured at Bedrock Bar & Grill, 14 July 2014. Made for early drinking, this wine offers forward notes of red fruits and wild berries amidst a bright dominant tone of heated gravel, well-crafted, full-bodied yet smooth with very well-managed tannins, finishing with a touch of spice and menthol. After some time, though, the fruit seemed to recede into the background, causing the wine to lose its balance, turning a tad vegetal and awkward.
2008 Domaine Louis Jadot Gevrey-Chambertin, popped and poured from magnum at Garibaldi, 16 July 2014. Appropriately rose-tinted but restrained on the nose with the faint promise of ripe red berries and cherries that never really materialized on the palate, the wine distinctly medium-bodied amidst sandy minerality and other notes of camphor, smoke and incense, soft and rounded with well-integrated tannins. One wishes for greater richness and concentration but this wine is firmly a village in every way.
2009 Maison Leroy Bourgogne, popped and poured at Prive Grill, 17 July 2014. Generic bourgogne this wine may be but, coming from this distinguished estate, one expects greater things and it doesn’t disappoint. Displaying a clear ruby tint and aromas of fresh red fruits and rose petals with a hint of complexity, this wine possesses a level of richness, depth and ease on par with what would have passed off as premier cru from lesser estates, soft but generous in body, developing an attractive earthy minerality that dominated proceedings after some time. At SGD73, it’s not exactly cheap for a bourgogne, but it truly punches way above its weight, just missing in opulence and fat. Very good.
1986 Ch Pape Clement (courtesy of John), decanted for about 45 minutes prior to serving at Prive Grill, 24 July 2014, displaying a deep vermillion. At this stage, this wine is fully matured, the fruit that was once backward and shy now well integrated and abundant with generous characters of tangerine, cinnamon, violets and earth, though without the pungency of Pessac-Leognan, its acidity threatening to dip but still adequate on this occasion. Delicious.
2009 Gressier Grand Poujeaux, popped and poured at Porta Porta (Stanley St), 24 July 2014. Not impressive initially, the wine distinctly angular and disjointed with a bitter, tannic predisposition. However, it snapped together rather quickly, becoming a lot softer and smoother at the edges while notes of violets, cedar and blueberries emerged readily from the ripe fruit, medium-bodied, without much of the vanilla of new oak. Pleasant and delicious. Not much to shout about but, as I’ve said before, if the price is right, this is a very agreeable wine.
2005 Ch Villars Fontaine Les Jiromees, popped and poured at Gattopardo, 29 July 2014. This white burgundy is unusual, coming from the Cote de Nuits where reds are far more commonplace. This is the fourth bottle I’ve had from a half-case and it’s clear that, over the years, this wine has matured considerably and put on more weight. The nose is particularly attractive, offering generous aromas of cashews, hazelnuts, a dash of apricot and peaches and a touch of caramel. What used to be some crisp flinty notes on the palate has evolved into clear and gentle minerality supporting a fine expanse of lovely fruit with characters leaning towards tropical fruit, medium-bodied, suitably ripe and balanced with a mild creamy texture and acidity that’s well-tamed, although one could wish for greater opulence. I’m hopeful that this will flesh out even more over the next few years. Very fine.
2000 Robert Mondavi cabernet sauvignon, poured from magnum, decanted on-site at Gattopardo, 29 July 2014, for almost an hour prior to serving. Having had the 2001 recently, I thought this may need more time to settle down but, surprisingly, the 2000 appears to have hit optimal maturity and is drinking very well now. Still displaying quite a dark purple, this wine is soft, fleshy and open, singing right from the start, exhibiting top drawer fruit with cool notes of dark currants, blueberries, violets and cedar amidst some spots of rose petals, cloaked in sweet gentle tannins, medium-full, remarkably well-balanced, beautifully poised and elegant, almost feminine. It grew in intensity after some time, firming up slightly, adding immeasurably to its structure and sophistication without upsetting the fine balance. Unlike its Bordeaux counterparts, this wine may not quite possess any firm reference to its terroir, which is probably its only shortcoming, but this is a really good cabernet that I’m happy to re-visit again and again. Excellent.
2009 Vincent Girardin Gevrey-Chambertin, popped and poured at Imperial Treasure T3, 31 July 2014. Although from an outstanding vintage and made by a dependable negociant, this wine is turning out to be a major disappointment, the fruit being too dark and heavy, shrouded by dusty tannins, disjointed and angular on the palate.
Nicolas Feuillatte at Tenshin
These are notes from an evening when we were invited by Dr KW Wang to dinner at Tenshin, a Japanese restaurant specialising strictly in tempura only at the Regent Hotel, Singapore, 8 May 2014, themed with the champagne of Nicolas Feuillatte, the well-known maison based in Epernay.
To get the evening rolling, the Nicolas Feuillatte Brut Reserve NV was served as the aperitif, displaying complex flavours of citrus, lime and grapefruit amidst a generous body of light toast with excellent depth of fruit, smooth, lively and refreshing with just a tad of sweetness by the side. This was followed quickly by the Nicolas Feuillatte Brut Rose NV. Having had more experience with champagne over the years, I no longer quite fancy rose nowadays, tending to find them a bit too straightforward and lacking in real character. This turned out to be the case here, the wine exhibiting notes of cider, tangerine and a hint of red fruits, slightly dry but ultimately lacking in true complexity even though the wine attained greater depth and expanse over time with further notes of pomelo and bitter lemon.
The 2004 Nicolas Feuillatte Cuvee 225 was the first in the line-up that accompanied the meal proper, its name derived from the litre capacity of the barrel in which it had been aged for 4 years prior to bottling. This vintage champagne has clearly benefitted from its additional time in the cellar, yielding a more refined wine of high-toned minerality with attractive yeasty aromas replete with smoke and white flowers, generous and long on the palate, yet delicate and beautifully balanced right down to its gentle finish. Excellent stuff.
The trio of vintage champagne kicked off with the 2000 Nicolas Feuillatte Grand Cru Blanc de Noir Millesime, golden in color though its considerable bottle age has resulted in a darker tone on the palate with deep yeasty overtones and notes of delicate bitter lemon with a touch of green, malt and wheat. Very lovely and long. The was followed by the 2002 Nicolas Feuillatte Palmes d’Or Brut where the outstanding vintage has made its mark, the wine producing a highly enticing nose of deep yeasty overtones and hazelnuts, exhibiting great subtlety on the palate, treading a delicate line between a high-tone minerality and flavours of complex citrus and exotic fruits, achieving fine balance but yet to realise its full potential. Quite outstanding. Bringing up the rear was the 2005 Nicolas Feuillatte Brut Rose Palmes d’Or, a rather unusual rose displaying great complexity on the nose with lifted aromas of rose petals and cherries allied with characters of camphor, orangey citrus and cinnamon on the palate, medium-bodied and well-balanced, leading to a long finish recalling whisky and malt, bringing the evening to a most satisfying conclusion.



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