1994 Ch Beau-Sejour Becot
Restaurant Week came round again this week, which prompted a return to Garibaldi again, with the wifey and a bottle of the 1994 Ch Beau-Sejour Becot which the manager Paolo Colzani was kind enough to waive the corkage after I’d ensured that he and Raj, who was serving us, each had a glass to enjoy.
Decanted on-site, where the dark and opague wine immediately exuded an attractive bouquet of blueberries and sweet blackcurrants, medium-bodied, soft and fleshy on the palate, saturated with fruit of surprisingly high quality that provided decent depth and body. With time, some of classic dryness of Bordeaux crept in with notes of dry leaves and mushrooms, the wine actually thinning out slightly. But with further aeration after an hour, it regained its fullness with further extension in depth and expanse, the wine still remaining remarkably fresh amidst emerging notes of earth, tar and a hint of raisins, fairly complex without any hollowness. 1994 is highly under-rated and, I suspect, is just beginning to come together after all these years. Quite excellent, for only SGD91 at Carrefour.
1990: Cos Labory, Clos de L’Oratoire, Sociando Mallet & Les Ormes de Pez
I returned to Table At 7 (run jointly by Eugenia and Karl, the partnership that also runs private dining at Au Petit Salut) on 11 Aug 2011, barely a week after my first visit there. Hiok had arranged dinner that was to be sponsored by F. As a matter of principle, I never turn down any offer of a free meal and, by pure coincidence, most of us had brought along a 1990 Bordeaux each.
We began with a 1983 Ch Grand-Puy-Lacoste (courtesy KP). Popped and poured. Dusty red. There were fears that this wine would exhaust itself in no time, but it gave a gutsy display of sweet rosy fragrance and lovely mature red fruits, grippy and strong on glycerin but rather four-square, finishing short with biting tannins. Suitably complex but still has unresolved fruit.
The initial exuberance settled down after about 45 minutes when it began fading on the nose, but it remained soft and seamless right till the end of dinner, still well and alive.
We drank the next pair together. The 1990 Ch Clos de L’Oratoire (courtesy Chris), aired in bottle, was dark dusky red, producing powerful sweet medicinal aromas not unlike Chinese cough mixture, complete with a sense of thickness, difficult for other flavours to penetrate through. For sure, it was dense, almost unctuous and hedonistic, most unlike a Bordeaux even for a modern-day Saint-Emilion and I don’t think it’ll turn out to be anything else even with further cellaring. Next to this, the 1990 Ch Cos Labory, also aired in bottle, was still remarkably fresh and youthful, open, soft and harmonious with a dark citrusy trail and a glow of orange peel and kumquat, although somewhat reticent and austere at the corners. Fully mature and elegant without possessing outright power, eventually developing great concentration and grip at the end of dinner with mouth-puckering intensity. This was the most evolved of the three St Estephe wines, and showing better than a recent tasting in June this year (see post). Excellent value at SGD115, a recent purchase from Crystal Wines.
As good as the above wines were, the next pair actually raised the bar further. F produced a 1990 Ch Les Ormes de Pez, most appropriately, as my introduction to fine claret had begun with a half-bottle of the same wine at Saint-Pierre, also courtesy of F, back in 2003. This wine was simply quite gorgeous, dark in color, exuding a superb bouquet of rich ripe fruit, medium-bodied, excellent in concentration with grippy velvety tannins, ending in a long lasting finish.
Still seemingly youthful in character, becoming more full over time yet retaining great transparency. Quite astonishing from this cru bourgeois estate. To match this outstanding red was the equally outstanding 1990 Ch Sociando Mallet (courtesy Hiok) that had been decanted from home and brought to the restaurant. The waiter, unfortunately, accidentally knocked a hole in Hiok’s decanter, spilling some of the precious wine but we managed to rescue most of it. It displayed a deep luxuriant red, throwing off an attractive powerful earthy pungency with other subtle tertiary characters, very opulent, lush and open with a touch of green and a hint of gravel, not gaining in intensity, just simply holding ship throughout the whole course of dinner.
This tasting goes to show that you don’t need to bust the bank for a memorable 1990. My thanks to all for their generosity.
1999 Ch Angelus
My second bottle in 3 months, from the case of half-dozen imported from Bordeaux Index London, over dinner at Moomba, 10 Sep 2011. Decanted on site.
Deep red with a bouquet of blueberries, other darker fruits and a note of soy. In spite of what was, supposedly, a wet vintage, the fruit is remarkably fresh and ripe, just missing in charm and outright opulence after the initial pour, rather stern in demeanour. After 20 minutes, it took on greater intensity with some biting tannins before settling into a smooth harmonious wine that was in no way hollow, though without much sparkle. But after an hour, it transformed into a wine of great concentration, becoming a lot weightier, opening up to reveal more layering in the mid-body, lingering in its finish, performing better than my previous note (July 2011). Although I admit to having a soft spot for any 1999 (a significant year for myself), this is an excellent wine by any standard.
Notes from Salzburg
I just returned from a whirlwind trip to Salzburg, primarily to attend its famous summer Festival. To me, it seemed most people were there to be seen rather than knowing anything substantial about the music. The champagne served at the Festival Halls (there are three, all housed within a single complex) is the Möet & Chandon NV at €13 per glass, pale with dominant notes of citrus, lime and floral fragrance underscored with brazen minerality and cutting acidity at the edges. Lacks the balance of a Bollinger.
I made a day trip to Steinbach-am-Attersee in search of Gustav Mahler’s composing hut by the lake, where he had written his Second and Third symphonies. For sure it’s there, extremely well-conserved within the grounds of the Hotel Fottinger where he had stayed between 1893-6. I had lunch there, washed down with a glass of 2010 Weingut Wilhelm Brundlmayer Riesling “Kamptaler Terrassen”, possessing substantial notes of melons, green apples and citrus supported by understated sweetness without any hollowness, slightly minty towards the finish. A lovely counterpoint to the heat of summer.
Singapore Airlines Business Class (Aug 2011)
I was pleasantly surprised at being upgraded to Business Class (first time I’ve had such a privilege) when I flew to Munich on 23 Aug 2011, so another chance to sample its offerings.
The Bollinger NV Special Cuvee remained available, a staple nowadays for SQ Business Class, it seems. Fairly complex on the nose and palate – nutty, toast with a bit of burnt and almonds with excellent minerality without being acerbic. Very good body and balance. Probably the best tasting note for Bollinger on board.
Next, I tried the 2008 Joseph Drouhin Chablis Reserve de Vaudon which, for me, was too one-dimensional, stuffed with loads of limey citrus and sharp minerality, almost bruising my palate. It settled down after some food, but it still came across as rather bland, lacking in real depth. Perhaps its a wine that needs plenty of time to aerate.
The ubiquitous Dr Loosen (2008) was available, but I chose instead to try the 2009 Balthasar Ress Haltenheimer Schutzenhaus kabinett riesling which impressed immediately with its highly attractive, perfumed bouquet – dense, smoky with plenty of petroleum character.
But unfortunately, the wine carried less weight on the palate than suggested, some hollowness evident in the mid-body, remaining unremarkable all the way to its finish.
There was a choice of Bordeaux for the reds, both of which I tried. The 2007 Ch Paloumey had been favourably mentioned in a previous note in June 2011, and it remained the better of the two on this occasion as well. A lovely ruby red with lifted, almost scented, notes of red fruits, vanilla and oak, slightly dry in character which suited the wine well. Undeniably attractive. An astute choice by the airline. In contrast, the 2007 Ch La Garde was dark and muted. Soft at the edges with quality fruit that was apparent after some coaxing, albeit with a touch of greenness, leaving behind a slight alcoholic trail. Ultimately lacking in real charm and concentration. A pity, as I had held out high hopes for the Pessac-Leognan.
2007 Peter Michael Ma Belle Fille & 1999 Chateau L’Evangile
These notes were taken from a customised dinner at Garibaldi on 20 July 2011, the final instalment of a series of serious dining that month. I’d deliberately kept the wines simple, just an exquisite chardonnay and a Bordeaux red that ought to be drinking well. We began with an identical pair of 2007 Peter Michael “Ma Belle Fille” chardonnay, purchased some time ago from Asia Pacific Fine Wines.
Light golden, opening with creamy floral notes, highly complex. The minerality was rather subdued on the palate, less flinty than expected for a young chardonnay, but notably heavier and deeper at the rear. With time, it became lighter in texture, opening up with layers of craggy minerality and a splash of tropical fruits, melons and pineapples, greater in intensity, superb in delineation, eventually developing a slightly opague sheen. However, as excellent as this was, I still don’t think you could mistake it for a Montrachet Grand Cru, which is infinitely more profound in depth and expression.
We followed with an identical pair of 1999 Ch L’Evangile, from a half-dozen that I’d brought in from Bordeaux Index, London. Rather deep in color still, with a very impressive bouquet of red and dark berries, well-extracted and suitably dense with a touch of soy and the inimitable glow of aged claret giving off notes of dry leaves, herbs and mushrooms. Not a great vintage, of course, but I always believe every wine has an optimum drinking plateau that’s capable of providing a good experience. This wine is a good example at this stage.











